An Exercise in Analysis (1917) consists entirely of act and part titles followed by one or more sentences. Initially confounding and seemingly impossible to stage, the play becomes both readable and amusing if one notices that the act and part titles are names of four voices: Act II, Act III, Act IV, and one whose name begins as A Play and becomes Part x, where x is a roman numeral from II to LX. Read aloud, the play is a skewed exercise in analysis of the competitive and collaborative relations among these four voices.
We have set the play as a car ride through the countryside. Part x, the driver, sets the topic of conversation; Act II, the front passenger, corrects or one-ups; Act III either comments ironically or initiates a new topic; and Act IV concludes these short, circular exchanges with something practical, petulant, or ditzy. Here, we offer a naturalist rendering with sound effects.
The recording is about 10 minutes.listen read the play
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