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works by gertrude stein:

  • Bee Time Vine and Other Pieces. New Haven: Yale University Press, 1953.
  • Geography and Plays. New York: Something Else Press, 1968. First published 1922.
  • Gertrude Stein First Reader and Three Plays. Boston: Houghton Mifflin, 1948.
  • Gertrude Stein: Selections. Berkeley: University of California Press, 2008.
  • Last Operas and Plays. Baltimore: Johns Hopkins University Press, 1995. First published 1949.
  • Lectures in America. Boston: Beacon Press, 1985. First published 1935.
  • Operas and Plays. Barrytown, NY: Station Hill Press, 1987. First published 1932.
  • Painted Lace and Other Pieces (1914-1937). New Haven: Yale University Press, 1955.

bibliography:

  • Adorno, Theodor W. Current of Music. Edited by Robert Hullot-Kentor. Cambridge: Polity Press, 2009.
  • Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: The University of Chicago Press, 2000.
  • Anzieu, Didier. “The Sound Envelope." In The Skin Ego: A Psychoanalytic Approach to Self. Translated by Chris Turner. New Haven: Yale University Press, 1989.
  • Attridge, John, and Rod Rosenquist. Incredible Modernism: Literature, Trust and Deception. Farnham, Surrey: Ashgate, 2013.
  • Bay-Cheng, Sarah. Mama Dada: Gertrude Stein's Avant-Garde Theater. New York: Routledge, 2004.
  • Benjamin, Walter. Radio Benjamin. Edited by Lecia Rosenthal. London: Verso, 2014.
  • Benjamin, Walter. Selected Writings. Four Volumes. Translated by Edmund Jephcott, Howard Eiland, and Others. Edited by Howard Eiland and Michael W. Jennings. Cambridge: The Belknap Press, 2002.
  • Bennett, Chad. "“Ladies’ Voices Give Pleasure”: Gossip, Drama, and Gertrude Stein." Modern Drama 53.3 (2010): 311-31.
  • Bennett, Chad. “‘Ladies’ Voices Give Pleasure’: Gossip, Drama, and Gertrude Stein.” Modern Drama 53, 3 (2010): 311-331.
  • Bernstein, Charles, ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998.
  • Bowers, Jane Palatini. “They Watch Me as They Watch This”: Gertrude Stein’s Metadrama. Philadelphia: U of Pennsylvania P, 1991.
  • Bryant, Sara. "Dorothy Arzner's Talkies: Gender, Technologies of Voice, and the Modernist Sensorium." MFS Modern Fiction Studies 59.2 (2013): 346-72.
  • Bucknell, Brad. Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein. Cambridge: Cambridge University Press, 2001.
  • Cage, John and Joan Retallack. MUSICAGE: Cage Muses on Words Art Music. Hanover: Wesleyan University Press, 1996.
  • Cage, John. Silence. Middletown, CT: Wesleyan University press, 1973.
  • Campbell, Timothy. Wireless Writing in the Age of Marconi. Minneapolis: The University of Minnesota Press, 2006.
  • Canton, Kimberly Rose Fairbrother. "The Operatic Imperative In Anglo-American Literary Modernism: Pound, Stein, And Woolf." Dissertation Abstracts International 74.8 (2014): MLA International Bibliography. Web. 17 Feb. 2015.
  • Chessman, Harriet Scott. The Public Is Invited to Dance: Representation, the Body, and Dialogue in Gertrude Stein. Stanford: Stanford University Press, 1989.
  • Choi, Helen Onhoon. "Autophonography: Common Voice and the Recording Imperative in Thirties America." jml: Journal of Modern Literature 35.3 (2012): 103-20.
  • Clements, Elicia. “We Cannot Retrace Our Steps”: Sonorous Performativity in Gertrude Stein and Virgil Thomson’s The Mother of Us All." Theatre Annual 59 (2006): 1-18.
  • Cohen, Debra Rae, Michael Coyle and Jane Lewty, eds. Broadcasting Modernism. Gainesville: University Press of Florida, 2009.
  • Cope, Karin. Passionate Collaborations. Victoria, BC: University of Victoria Press, 2005.
  • DeKoven, Marianne. A Different Language: Gertrude Stein’s Experimental Writing. Madison: University of Wisconsin Press, 1983.
  • Delville, Michel. "Gertrude Stein's Melodies: In Anticipation of the Loop." Texas Studies in Literature and Language 55.1 (2013): 72-83.
  • Demoor, Marysa, Sarah Posman, and Debora Van Durme. "Literary Modernism and Melody: An Avant-Propos." Texas Studies in Literature and Language 55.1 (2013): 31-5.
  • Derrida, Jacques. The Ear of the Other: Otobiography, Transference, Translation. Ed. Christie McDonald. Trans. Peggy Kamuf. NY: Schocken Books, 1985.
  • Disrud, Rebecca Anne. "Late Modern Lyricism: The Poetry And Opera Of Stein, Auden, And Hughes." Dissertation Abstracts International 75.3 (2014): MLA International Bibliography. Web. 17 Feb. 2015.
  • Durham, Leslie Atkins. Staging Gertrude Stein: Absence, Culture, and the Landscape of American Alternative Theater. New York: Palgrave, 2005.
  • Dydo, Ulla E., with William Rice. Gertrude Stein: The Language that Rises, 1923-1934. Evanston, Ill: Northwestern University Press, 2003.
  • Elias, Camelia. "Composing Mystics: Gertrude Stein between Zen and Zeit." PsyArt 16 (2012): n.pag.
  • Esdale, Logan. “Gertrude Stein, Laura Riding and the Space of Letters." Journal of Modern Literature 29, 4 (2006): 99-123.
  • Feldman, Morton. Morton Feldman Says: Selected Interviews and Lectures. Edited by Chris Villars. London: Hyphen Press, 2006.
  • Finelli, Patrick. "Sound Studies: Theories of the Material Voice." Theatre Journal 64.3 (2012): 445-58.
  • Frank, Adam. "Loose Coordinations: Theater and Thinking in Gertrude Stein." Science in Context 25.3 (2012): 447.
  • Frank, Johanna. “Resonating Bodies and the Poetics of Aurality; Or; Gertrude Stein's Theatre." Modern Drama 51, 4 (2008): 501-527.
  • Fuchs, Elinor and Una Chaudhuri, eds. Land/Scape/Theater. Ann Arbor, MI: University of Michigan Press, 2002.
  • Goodspeed-Chadwick, Julie. "Reconfiguring Identities in the Word and in the World: Naming Marginalized Subjects and Articulating Marginal Narratives in Early Canonical Works by Gertrude Stein." South Central Review 31.2 (2014): 9-27.
  • Gordon, Linda Maureen. "The Utopian Aestheticism of Oscar Wilde's "the Picture of Dorian Gray" and Gertrude Stein's "Three Lives"." ProQuest, UMI Dissertations Publishing, 2012.
  • Hand, Richard J. "Adaptation And Modernism." A Companion to Literature, Film, and Adaptation. 52-69. Oxford, England: Wiley-Blackwell, 2012. MLA International Bibliography. Web. 17 Feb. 2015.
  • Harris, Laurel. "Hearing Cinematic Modernism in the 1930s: The Audiovisual in British Documentary Cinema and Virginia Woolf's between the Acts." Literature & History 21.1 (2012): 61.
  • Hepburn, Allan. "Acoustic Modernism: BBC Radio And The Little Girls." Textual Practice 27.1 (2013): 143-162. MLA International Bibliography. Web. 17 Feb. 2015.
  • Ihde, Don. Listening and Voice: Phenomenologies of Sound. SUNY Press, 2007.
  • Johnson, Nicholas E. "Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject." Theatre Research International 37.1 (2012): 38.
  • Kahn, Douglas and Gregory Whitehead, eds. Wireless Imagination: Sound, Radio and the Avant-Garde. Cambridge: MIT Press, 1992.
  • Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press, 1999.
  • Kittler, Friedrich. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999.
  • Lehmann, Hans-Thies. Postdramatic Theatre. Trans. Karen Jurs-Munby. London: Routledge, 2006.
  • Lewis, Hannah, Sally Bick, and Mark Katz. ""The Realm of Serious Art": Henry Hadley's Involvement in Early Sound Film." Journal of the Society for American Music 8.3 (2014): 285.
  • Maconie, Robin. Avant Garde: An American Odyssey from Gertrude Stein to Pierre Boulez. Lanham, Md: Scarecrow Press, 2012.
  • Marranca, Bonnie. “Introduction" to Last Operas and Plays. Baltimore: Johns Hopkins University Press, 1995.
  • McCabe, Susan. “‘Delight in Dislocation’: The Cinematic Modernism of Stein, Chaplin, and Man Ray.” Modernism/modernity 8, 3 (2001): 429-452.
  • McCaffrey, John. “‘Any of Mine Without Music to Help Them’: The Operas and Plays of Gertrude Stein.” Yale/Theatre 4, 3 (1973): 27-39.
  • McParland, Robert P. “The Sounds of Audience." Mosaic 42, 1 (2009): 117-132.
  • McParland, Robert P., ed. Music and Literary Modernism: Critical Essays and Comparative Studies. Newcastle: Cambridge Scholars Publishing, 2006.
  • Mehlman, Jeffrey. Walter Benjamin for Children: An Essay on His Radio Years. Chicago: University of Chicago Press, 1993.
  • Meyer, Steven. Irresistible Dictation: Gertrude Stein and the Correlations of Writing and Science. Stanford: Stanford University Press, 2001.
  • Morin, Emilie. "Beckett's Speaking Machines: Sound, Radiophonics and Acousmatics." Modernism/modernity 21.1 (2014): 1-24.
  • Morris, Adalaide, ed. Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill: The University of North Carolina Press, 1997.
  • Nancy, Jean-Luc. Listening. New York: Fordham University Press, 2007.
  • Neigh, Janet. "The Transnational Frequency Of Radio Connectivity In Langston Hughes's 1940S Poetics." Modernism/Modernity 20.2 (2013): 265-285. MLA International Bibliography. Web. 17 Feb. 2015.
  • Nicola, Shaughnessy. Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave Macmillan, Basingstoke, GB, 2012.
  • Perloff, Marjorie and Craig Dworkin, eds. The Sound of Poetry/The Poetry of Sound. Chicago: The University of Chicago Press, 2009.
  • Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: The University of Chicago Press, 1991.
  • Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton: Princeton University Press, 1981.
  • Pluddot, Dinnah. “The Semiotics of Post-Modern Theatre: Gertrude Stein.” In Approches de l’opéra/Approaches of the Opera, edited by André Helbo. Paris: Didier, 1986.
  • Posman, Sarah. "Time as a Simple/Multiple Melody in Henri Bergson's Duration and Simultaneity and Gertrude Stein's Landscape Writing." Mosaic: a journal for the interdisciplinary study of literature 45.1 (2012): 105-20.
  • Pound, Scott. “The Difference Sound Makes: Gertrude Stein and the Poetics of Intonation." English Studies in Canada 33, 4 (2007): 25-35.
  • Puchner, Martin. “Drama and Performance: Toward a Theory of Adaptation.” Comon Knowledge 17, 2 (2011): 292-305.
  • Puchner, Martin. Stage Fright: Modernism, Anti-Theatricality, and Drama. Baltimore: The Johns Hopkins University Press, 2002.
  • Reed, William. “Now Not Now: Gertrude Stein Speaks." English Studies in Canada 33,4 (2007): 103-113.
  • Rice, William. “Gertrude Stein's American Lecture Tour." In The Letters of Gertrude Stein and Thornton Wilder, edited by Edward Burns and Ulla E. Dydo. New Haven: Yale University Press, 1996.
  • Robinson, Marc. The Other American Drama. Cambridge: Cambridge University Press, 1994.
  • Ryan, Betsy Alayne. Gertrude Stein's Theatre of the Absolute. Ann Arbor, MI: UMI Research Press, 1980.
  • Salvato, Nick. “Uncloseting Drama: Gertrude Stein and the Wooster Group." Modern Drama 50, 1 (2007): 36-59.
  • Salvato, Nick. Uncloseting Drama: American Modernism and Queer Performance. Yale University Press, 2013.
  • Schafer, R. Murray. The Thinking Ear: Complete Writings on Music Education. Toronto: Arcana Editions, 1986.
  • Schafer, R. Murray. The Tuning of the World. New York: Knopf, 1977.
  • Schechter, Patricia A. Exploring the Decolonial Imaginary: Four Transnational Lives. GB: Palgrave Macmillan M.U.A, 2012.
  • Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. Abingdon, Oxon; New York: Routledge, 2011.
  • Schoenbach, “‘Peaceful and Exciting’: Habit, Schock, and Gertrude Stein’s Pragmatic Modernism.” Modernism/modernity 11, 2(2004): 239-259.
  • Schwarz, David. Listening Subjects: Music, Psychoanalysis, Culture. Durham: Duke University Press, 1997.
  • Seagrave, Jennifer Large. "Modern Saints' Plays: A History of the Genre." ProQuest, UMI Dissertations Publishing, 2013.
  • Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.
  • Steindele, Angela. “Reading with the Body: Sound, Rhythm, and Music in Gertrude Stein.” In Embodiment in Cognition and Culture, edited by John Michael Krois et al. Amsterdam: John Benjamins Publishing Company, 2007.
  • Steiner, Wendy. Exact Resemblance to Exact Resemblance: The Literary Portraiture of Gertrude Stein. New Haven: Yale University Press, 1978.
  • Stephens, Paul. "'Reading at it': Gertrude Stein, Information Overload, and the Makings of Americanitis." Twentieth Century Literature 59.1 (2013): 126.
  • Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University, 2003.
  • Strauss, Neil, ed. Radiotext(e). Semiotext(e) #16 6,1 1993.
  • Swanson, Cecily. "Conversation Pieces: Circulating Muriel Draper's Salon." Journal Of Modern Literature 36.4 (2013): 23-43. MLA International Bibliography. Web. 17 Feb. 2015.
  • Szendy, Peter. Listen: A History of Our Ears. Trans. Charlotte Mandell. New York: Fordham University Press, 2008.
  • Thompson, Aidan. "Language and Democracy: Meaning Making as Existing in the Work of Gertrude Stein." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 69.3 (2013): 129-55.
  • Vine, Elizabeth. "A Spectacle and Nothing Strange: Gertrude Stein, Dorothy Richardson, Djuna Barnes, and the Queering of Home." ProQuest, UMI Dissertations Publishing, 2014.
  • Voris, Linda. "Interpreting Cézanne: Immanence in Gertrude Stein's First Landscape Play, Lend A Hand Or Four Religions." Modernism/modernity 19.1 (2012): 73-93.
  • Wallace, Rob. Improvisation and the Making of American Literary Modernism. New York: Continuum Press, 2010.
  • Watson, Dana Cairns. Gertrude Stein and the Essence of What Happens. Nashville, TN: Vanderbilt University Press, 2005.
  • Weiss, Allen S. Phantasmic Radio. Durham: Duke University Press, 1995.
  • Whitney, Tyler. "Spaces Of The Ear: Literature, Media, And The Science Of Sound 1870-1930." Dissertation Abstracts International 74.8 (2014): MLA International Bibliography. Web. 17 Feb. 2015.
  • Whittier-Ferguson, John. “The Liberation of Gertrude Stein: War and Writing.” Modernism/modernity 8, 3 (2001): 405-428.
  • Whittington, Ian. "Radio Studies and 20th‐Century Literature: Ethics, Aesthetics, and Remediation." Literature Compass 11.9 (2014): 634-48.
  • Wilson, Sarah. “Gertrude Stein and the Radio." Modernism/Modernity 11, 2 (2004): 261-278.

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